ME

The Story Behind the Voice: My Magical World

My artistic journey began when I was just 7 or 8 years old, singing and dancing along to Los Parchís and ABBA. By the time I turned 11, discovering Cyndi Lauper and later Madonna, I knew with absolute certainty that singing and music would be my life's purpose.

In the '90s, I won a major singing contest on FM100 Radio, which opened the doors to a 15-year contract offer from Abraxas Producciones (the powerhouse behind legendary acts like Viuda e Hijas de Roque Enroll, BRAVO, Cae, and Seducidas y Abandonadas). But I chose my artistic freedom over corporate traps—fifteen years of my life and creativity were not to be given away to anyone! Curiously, right after I refused to sign away my freedom, Twiggy stepped into that spotlight alongside the male winner of the contest. We had just shared the stage at a BRAVO concert as the official winners. Was she almost the alternative choice? Can you imagine hearing me singing “bajo la luz de la luna”? Haha, no, I don't think so—that's not my style. But it is an unforgettable fragment of how the industry moved back then.

Following my own independent path during that vibrant era, I worked as a professional fitness instructor and performed singing and dancing shows at international fitness events. By 1998, I left the fitness classes behind—since shouting and singing do not match!—and fully dedicated myself to performing pop and disco shows at major Buenos Aires nightclubs like Buenos Aires News and top venues like Showcenter. I also appeared on popular TV shows like Gasoleros, Carola Casini, and Verdad Consecuencia, featured in several commercials, and even landed roles as an extra in iconic films.

Yet, I was too far ahead of my time. This was long before Popstars, Bandana, or Miranda changed the local scene. Because my signature style was Pop, Dance-Pop, New Wave, Disco, and Electropop, the major record labels didn't quite open their doors to me, even though they truly liked what I did. In the '90s and early 2000s, that international sound was only "authorized" for foreign stars; local labels would only hire local artists who played domestic rock with a massive following, or cumbia—never a solo female singer performing a musical style considered international. Unfortunately, back then, corporations exclusively controlled the tools, but today the world has changed. With the power of the internet, YouTube, and global digital distribution, I finally have everything I need to release my music exactly the way I always wanted.

Why didn't I do it sooner? Because I spent years building my own music group, Kryon Records Company®, to create specialized fitness music, later launching WOW! Fitness Music® to distribute it globally. I almost let my dream fade, but today, all those rigid industry barriers are gone. It’s time to fulfill the dream of that 11-year-old girl, my little girl. She doesn't need to wait any longer because the moment has finally arrived. Today, I launch my music entirely on my own terms, with my own taste, and my own way—officially distributed worldwide via Soundrop and TuneCore across all major streaming networks.

They wanted to clip my wings, but today, they are bigger than ever, and I am ready to fly higher than anyone ever expected. 

Remember my name! Remember, remember, remember!